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Turhan Selcuk's path should be followed, I think, in order to Open up new prospects for our literature which seems to have been encountering some rough going in recent years. The same applies to the present problems in the field of caricature in Turkey And this path is, as I said, a short cut to man himself.

Perhaps in speaking of Turhan Selcuk I have been too abstract. This a rust most definitely does not look on nature and men as from high up in the skies, but is plunged deep in the flow of daily events. He suffers, rejoices, is stirred to anger, struck with childlike wonder, derisive, disgusted, maddened, feeling not only for himself but for all of us, the characteristic of great artists. He speaks 9ut against oppression and wrong, evil and corruption among men. His battle is your battle. The world his art depicts for us is a generous world. He has not imprisoned his heart in one feeling, one idea, one kind of drawing. His whole being is wide open to all the world, to its beauty and poetry, its magic charm. To understand Turhan Selcuk is to understand the modern world. He stands out in the midst of evil and darkness and points to the light.
Soz Cizginin, 1979


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